Well final for now. Time to throw this up on some forums and get some feedback!! Let me know what ya think!!!
As always click for bigger!!
-Wilson
I'm working hard to keep the Lion and the Mouse piece a strictly during my lunch time experiment. But I just got through uploading it to my web page so that I can download and work on it at home if I want to. Tee Hee!! Even though I know that I have so many other PAYING things that I need to be working on at home instead. We'll see if I can stick to task and focus on what I need to this weekend!
So, what's on my drawing table, other than some freelance work? (Which I should have wrapped up by the end of this weekend.) The W.I.P's (Work in Progress) are as follows, the image above is a second image from the Singing Chef John story. Since I need to show some character continuity, I thought this image made sense to move towards completing. The other Chef John image is here on my website. I've laid in some very base colors, but I still need to go back in and correct all the perspectives and whatnot and make the character a bit shorter. He is too tall to match the other image, in my opinion. And his ears should be a lot bigger!
To my left is where I currently am with the redo of the Lion and the Mouse image. The original is in this post. It's taking a lot to try and maintain the watercolor feel of things and figure out how to get the look. But surprisingly, going back to an old piece and reworking it is quite eye opening. There's so many decisions I made in this as far as design and composition that I wouldn't do today. SO many things that I uncover and wonder, "What was I thinking?" So many things make no sense whatsoever. It's comforting to know that I have learned and grown in the past ten plus years. LOL!
The Lion waited impatiently for the Mouse to explain his proposition.For my senior thesis in college I did a giftcard set of African Folklore. That included Aesop's fables and that included, "The Lion and the Mouse". This was one of my first watercolors and I haven't been able to get it out of my portfolio SINCE!! LOL! It haunts me to no end! But I have to be honest with myself about why it is so popular.
But my problem right now is that I want my portfolio to be completely digital. No mediums other than a pencil sketch that is then colored in Photoshop. Watercolors are just too unpredicatable and difficult to edit for me to see them as a viable medium for freelance work at this time. In time I want this to change, but for now this is how I feel. I don't mind emulating watercolors in Photoshop, which I haven't figured out how to do quite yet. But I definitely want to make my entire portfolio digitally based. While I love this piece, I know that adding it ensures that I will get many requests to do work in this medium and style. So it can't be part of my portfolio in its current state.
So how do I correct this issue? I was wondering recently how this piece would look if I redit it in Photoshop? Created a digital version of it. And maybe not just this piece but some others of note from my previous portfolio. Does this sound like a good idea? Do you think something like this could enhance my portfolio and get "The Lion and The Mouse" monkey off my back? I definitely think I could add a lot more character to these and my rendering skills have improved a good deal since then (I like to think so anyway).
So what do you guys think? Below are more potential contendors for a digital do over. All of them are watercolor/gouache pieces. Any input is great!
Thanks
-Wilson

